Tagged Dine Spider Woman

Contemporary Hispanic market art La Conquistadora with Dine Spider Woman and Puebloan Corn Maiden by ©Cristina Acosta

La Conquistadora New Book by Amy Remensnyder Features Acosta’s Retablo of La Conquistadora – Dine Spider Woman – Puebloan Corn Maiden

Passion for the subject of the Virgin Mary as La Conquistadora supported by scholarly discipline and historical clarity makes Amy G. Remensnyder’s new book, La Conquistadora – The Virgin Mary at War and Peace in the Old and New Worlds, the current masterpiece and go-to book on the subject of La Conquistadora, New Mexico’s patroness and the oldest Marian figure in the United States.

Here’s an excerpt from Remensnyder’s Introduction:

La Conquistadora by Amy Remensnyder book
La Conquistadora by Amy Remensnyder book with Cristina Acosta image of Conquistadora

“This exploration of the passions that Mary aroused centuries ago is written in the hopes that modern historian, as well as people of other faiths or of no faith, might better understand historical circumstances in which people of diverse cultures and religions lived in proximity It asks how the language of the sacred could both underscore potential differences between people and help to smooth out those very differences. While the answers of men and women of the past bear the stamp of their times and places, there is much to be learned from their successes and failures, for these same questions starkly face our own world.”

I came in contact with Amy Remensnyder when she researching her La Conquistadora book. She had found my retablo titled, La Conquistadora / Dine Spider Woman / Puebloan Corn Maiden and contacted me regarding my inspiration and intent creating the image. The image is on page 367 of her book, La Conquistadora – The Virgin Mary at War and Peace in the Old and New Worlds. 

Remensnyder also included selected passages of our interview. Here’s an excerpt:

“…..For a bold contemporary artist like Acosta, she offers a space for thinking about genealogical mestizaje. 

Acosta explains that her own ancestors “were among the original Spanish colonist in the Southwest.” She even grew up hearing her grandmother “continually claim to be pure Spanish.” But Acosta confesses that she has come to regard her grandmother’s words with skepticism. She describes something that she says her grandmother new well: her grandmother’s sone – Acosta’s own father  ‘ “made Indian regalia” and would dance the  “old dances.” It was in memory of her father, a man who danced in Indian dress yet was the son of a woman who boasted undiluted Spanish blood, that Acosta created her Conquistadora…..”

There is more. During the ensuing time since our interview, family members did DNA tests and confirmed: my grandmother was half American Indian. I feel like that intuitive knowledge informed all of my life. My conviction at the age of 5 that I was an Indian (I was just sure of it) was finally confirmed. But I did not paint my image of La Conquistadora from confirmed facts and historical accuracy, I painted her from my intuitive self and my sense that this Marian figure needs to have an image of her created that melds the American Indian female sacred figures with the Spanish (European) Marian figure into a vision of parity. That parity that I feel in my blood regardless of the “blood quantum” restrictions and perceptions that are used to justify behavior.

I highly recommend this book, it is wonderful:

La Conquistadora – the Virgin Mary at War and Peace in the Old and New Worlds, by Amy G. Remensnyder, Oxford University Press, ©2014, ISBN 978-0-19-989298-3,  978-0-19-989300-3

 

Contemporary Hispanic market art La Conquistadora with Dine Spider Woman and Puebloan Corn Maiden by ©Cristina Acosta

La Conquistadora Retablo with Dine Spider Woman and Puebloan Corn Maiden

La Conquistadora is the country’s oldest Madonna renowned in New Mexico and other parts of the American Southwest.  Often called “Our Lady of Conquering Love”, La Conquistadora is the representation of the peaceful accord the Spanish settlers eventually reached with the Native American tribes in the region after decades of warfare. Today the statue is ensconced in the Cathedral of St. Frances in Santa Fe, New Mexico.

My ancestors were among the original Spanish colonists in the Southwest. When I was a child, my father created a grotto in our backyard featuring a Madonna, around which he planted corn. I visited the chapel in the Taos Pueblo in New Mexico and found a statue of La Conquistadora at the center of the altar in a niche surrounded with a mural of corn stalks. Inspired by that history, I’ve created the image of La Conquistadora on a retablo (traditional altar form) to include the symbols of the Native American counterparts:  The Pueblo Corn Maiden and the Deni Spider Woman.

The model is Cedar White, daughter of Kenneth White, member of the Deni tribe.

After my father died from Alzheimer’s Disease  I was looking for the vision for a retablo to honor both him and our ancestors. Within days of his funeral I took a trip with my family to the Southwest to visit the various townsites where our ancestors had lived. When I saw the Madonna at the altar of the Taos Pueblo church, I knew I had my vision. I’ve painted this retablo in honor of all of my ancestors and as a blessing for an ever-increasing peace between all peoples of the world.

Title:  La Conquistadora/The Corn Maiden/Deni Spider Woman

Medium:  Oil; 22kt gold, sterling silver and copper metal leaf; antique ceramic mosaic tile with 24k gold glazes; on vintage wood planks of Ponderosa Pine wood panel reclaimed from a 1904 wood mill forming a single panel.

Size:  42″ wide x 60″ tall

Year :  2005